Lam Mim
Lam Mim
Fa Sol Rem Mim
Fa Sol Mim
When I was fifteen, sixteen, when I really started to play guitar
I definitely wanted to become a musician
It was almost impossible because—it was—the dream was so big
That I didn't see any chance because
I was living in a little town; was studying
And when I finally broke away from school and became a musician
I thought, "Well, now I may have a little bit of a chance"
Because all I really wanted to do is music
And not only play music, but compose music
Lam Mim
At that time, in Germany, in '69, '70, they had already discotheques
Lam
So, I would take my car, would go to a discotheque
Mim
Sing maybe thirty minutes
Fa
I think I had about seven, eight songs
Sol Rem
I would partially sleep in the car
Mim Fa
Because I didn't want to drive home and that helped me for about
Sol Mim
Almost two years to survive in the beginning
Lam Mim
I wanted to do an album with the sounds of the '50s
The sounds of the '60s, of the '70s
Lam
And then have a sound of the future
Mim
And I said, "Wait a second, I know the synthesizer
Fa
Why don't I use the synthesizer which is the sound of the future?"
Sol Rem
And I didn't have any idea what to do,
But I knew I needed a click,
so we put a click on the 24-track
Which then was synced to the Moog Modular
I knew that could be a sound of the future
But I didn't realize how much the impact would be
My name is Giovanni Giorgio
But everybody calls me Giorgio
(x5)
Lam Mim
Lam Mim
Fa Sol Rem Mim
Fa Sol Mim
Fa Sol
Once you free your mind about a concept of
Rem Mim
Harmony and of music being "correct"
Fa
You can do whatever you want
Sol
So, nobody told me what to do
Mim
And there was no preconception of what to do
(until the end)
Lam Mim
Lam Mim
Fa Sol Rem Mim
Fa Sol Mim
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